配乐赞极!!!!!每次音乐出现加上音乐起了一身鸡皮啊!!腐国怎么那么爱装逼【这是爱】
这个剧组是卧底了几个nick cave和白带的脑残粉啊~~
欢迎补充
搞了个节目单
http://music.douban.com/programme/277130片头片尾 特别是第一集murphy骑着马路过加上诡异的音乐太带感了。
Nick Cave&the Bad Seeds-Red Right Hand
Let Love In
ep1:
9’30” 督察看完tommy资料
The White Stripes-I Think I Smell A Rat
White Blood Cells
24‘ 卧底妹子出现
Nick Cave/Warren Ellis-Song For Jesse
The Assassination of Jesse James OST
30'10" 大哥在电影院被抓
The White Stripes-St. James Infirmary Blues
The White Stripes
ep2:
4‘ 群殴lee家
The Raconteurs-Blue Veins
虾米
http://www.xiami.com/song/214494913’ 烧国王像
The White Stripes-The Hardest Button To Button
专辑:Elephant
24‘30“ 赌马
The White Stripes-Black Math
专辑:Elephant
43’20” tommy杀白马
Nick Cave&the Bad Seeds-Brother, My Cup Is Empty
Henry's Dream
结尾billy走后
The White Stripes-Little Room
White Blood Cells
ep3
23'35"
The White Stripes-When I Hear My Name
专辑The White Stripes
35‘35“ tommy起床
Nick Cave & the Bad Seeds-Abattoir Blues
专辑 Abattoir Blues/The Lyre of Orpheus
虾米
http://t.cn/zRZBG6z43'15" 赛马会jazz
Ken Colyer-Cataract Rag
度娘
http://t.cn/zRZBc3Oep4
11'10" tommy丢掉手榴弹后
The White Stripes- I Fought Piranhas
28‘40“ 拿到赌马证后
Tom Waits-Clap Hands
专辑 Rain Dogs
30’50” 阿sir们去查枪
The Raconteurs-Broken Boy Soldier
虾米
http://t.cn/zRUk5Irep5
20‘40“左右 arthur被他爹骗
The White Stripes-Ball & Biscui
专辑elephant
42’ 阿sir来抓人
The White Stripes-Little Cream Soda
专辑Ichky Thump
不确定这首在哪个点,从官网来的
Nick Cave & The Bad Seeds-God is in the House
50'二货上吊【好温暖的歌,听着听着就哭了】
Tom Waits-Time
专辑Rain Dogs
54‘长镜头【太特么美好】
Nick Cave & The Bad Seeds-Bring it on
专辑Nocturama
ep6
21'40"剃刀党出发【太特么装逼了!!好喜欢!!】
Dan Auerbach-The Prowl
专辑 Keep It Hid
52‘20” 好应景的歌
Jack White German-Love is Blindness
--------------------------------------------------------------------------------------
http://t.cn/zRZBt4U虾米PB同好妹子做的精选集
@Whitelunar
http://www.douban.com/people/SciFiLullabies/1.打着父亲的名义去做卧底,结果爱上敌人,背叛了领导
2.爱上了敌人却出卖敌人。完成找木仓的任务无可厚非,杀了tom其实都理直气壮。可她偏偏要在妹妹生产的当晚出卖妹夫。
3.口口声声真爱tom扭头就结婚了。背叛×3
4.结了婚一个电话就去见耳聋的姑妈了。背叛老公。理由是真爱。我没骗过我老公,你可别瞎说啊,甩耳光。
就是一个打着淑女 气质 有教养 伟光正 真爱 正义等等旗号,一直端着劲儿端着,但实际上干尽了所有连有点职业操守的x工作者都不屑去干的事。
这人设,已经不仅仅是下面那点事儿的问题了,是人品有问题。简而言之,就是又当又立,茶b典型。全剧只有警官那句whore,最配得上她。
如果她第一季就死了,可能还没那么讨厌。
如果她没有再婚,一直期待重温旧情,那好歹是个真重感情的人。
如果她再婚以后老老实实的,跟tom以礼相待,那还能叫从良。
如果她说完木仓的事没有出卖妹夫,或者在别的日子送妹夫进局子,又或者她完成任务深藏功与名再动心也没鼓掌。她都会是一个伟光正值得人喜爱的人物儿。
毕竟同样干传统文化意义上whore事儿的女的这剧里有的是,未婚先孕还要私奔的妹妹,出卖肉体给老头换儿子出狱的姑妈,职业就是躺着挣钱的栗子,甚至那个中国姑娘。
你就说说,有哪个能比她grace更讨人厌吧。
所以,真不是下面那点儿事儿的问题。我个人,对女性,没有荡妇羞辱的癖好。
可编剧偏偏塑造了这么个,说名媛贵女不贵,说干练潇洒女特工又不行,说单纯白花又狠毒随便的角色,真,啥也没弄好。
(仅针对grace不上升演员)
電視劇木有評論區,那發這裡好了。。。。。
http://www.bigissue.com/features/interviews/3014/cillian-murphy-interview-story-working-class-people-look-sexyCILLIAN MURPHY INTERVIEW: “IN THIS STORY THE WORKING-CLASS LOOK SEXY”
INTERVIEWS
LAURA KELLY SEP 18, 2013
Peaky Blinders' Cillian Murphy talks Brummies, Batman, and why he doesn't use Twitter
We have entered the third golden age of telly. Kevin Spacey hit the headlines recently using the phrase, GQ writer Brett Martin has a new book out, Difficult Men: Behind the Scenes of a Creative Revolution, on the topic and critics around the world are chattering about it.
The Wire, The Sopranos, Mad Men, Breaking Bad, Boardwalk Empire: a (mostly American) wave of ambitious dramas has shown that telly is now smarter and more ambitious than cinema.
Peaky Blinders, created by Dirty Pretty Things writer Steven Knight, is among the best of the British attempts to compete with these monolithic super shows. Playing like a Brummie Boardwalk Empire and similarly set after the first world war, it follows Cillian Murphy’s Tommy Shelby, a gang leader who’s just returned from the trenches damaged and still in possession of his gun.
In a Birmingham that was at the time a major centre of industry, he finds himself jockeying for position alongside Communists, the IRA and a particularly ruthless Northern Irish police chief (played with vigour by Sam Neill). Favourite of both Danny Boyle and Christopher Nolan, Cork boy Murphy has become a proper Hollywood celeb in the last few years, but he insists that choosing a BBC Two mini-series for his next job is not as odd as it seems. Peaky Blinders fits in just fine, he says, beside 28 Days Later, Sunshine, The Dark Knight and Inception.
Peaky Blinders is a project that has clearly captured Murphy’s imagination; he spent hours listening to archive recordings of Brummies to get the accent right, as well as thoroughly immersing himself in the period. It also allowed him to stay close to his house in north London, his wife, artist Yvonne McGuinness, and his two young sons, seven-year-old Malachy and six-year-old Carrick. It’s from the kitchen in that family home, sustained by a cup of Barry’s Tea (his favourite Irish brew), that he’s speaking to The Big Issue…
Tell us about your character in Peaky Blinders.
Tommy’s been sent home from the trenches. These men came back and they were just spat out into society without any help. Most of them had lost all time for the establishment and the authorities and the church and everything else. They were damaged men. Then they came back into a society that had been run by women for four years.
The obvious comparison is Boardwalk Empire, given the era…
I unfortunately haven’t got round to Boardwalk Empire – it’s one of my box-sets that I’ve yet to unwrap. I think it’s impossible to make a foray into the gangster genre without rubbing shoulders with the American classics, like The Godfather, Bonnie and Clyde and now Boardwalk Empire. You’ve just got to wear those references openly. What we’ve tried to do here is create something very British.
Birmingham at the time was the industrial capital of the world. It was producing more than Chicago and Detroit. Illegal bookmaking was huge all over Britain. It was run by gangs and there’d be pitched battles with guns and knives. It’s never really been investigated dramatically. Steve [Knight] had this whole block of history to play with, so it’s very rich. I think that separates it from the American stories. It’s refreshing that this is a story where working-class people look sexy and glamorous and stylish. Generally it’s the upper middle class and the aristocracy in British period dramas.
It seems like all the big Hollywood stars want to get involved in TV at the moment.
I definitely think that for writers, having the scope of six or 12 hours to tell a story must be so alluring. Also for me to be able to really investigate every corner, to shine a light into every nook and cranny of the psyche of a character is great. People have talked about it being the equivalent of the novel and I can see why that comparison fits. It is a golden age for TV. It’s clear it’s happening, so you’d be silly not to get involved. TV seems to be filling that place in cinema where clever mid-budget, independent films have been pushed out a little bit by the big franchise, tent-pole movies.
Big franchises like Batman?
Well, yeah… [laughs]. I would consider that a slightly more, um, intelligent rendering of the superhero genre.
How did you find the Brummie accent?
It’s not among the most beloved out there. The Birmingham accent and Birmingham itself hasn’t been fashionable for a while. In terms of the accent, we listened to a lot of archival tapes. My remit was to make it as authentic as possible but also as accessible as possible. Birmingham will deliver its verdict.
They can’t be too unhappy – you’ve made the place look a lot cooler than usual.
I really hope so.
The soundtrack on Peaky Blinders is really striking, featuring Nick Cave, The White Stripes and Tom Waits. As a big music fan, was that exciting?
I was thrilled. It was great to know that those guys actually watched it and liked it. There’s something about those artists – an outlaw quality – that really suits the show.
Been to any good gigs recently?
I’m going to see Björk in a couple of weeks. I saw Alice Cooper in the desert in Albuquerque. He has a lot of energy for a man of his age.
Is it harder to get to as many gigs as you’d want now you have kids?
Yeah, it is kind of hard. Some things you’ll move mountains to see but, you know, you get old and at a certain point you think, God, I’m awful tired. I didn’t used to have that in my twenties.
You’re a bit unusual in the celebrity world in that you don’t use Twitter.
No, I don’t do that. I remember the pre-internet days. I remember when you just met at an agreed hour at the bus station. And if someone didn’t show up, you’d just stand there and wait. You’d give them 25 minutes. This immediacy that we expect now, it’s spilled over into film and everything. I mean, ‘spoilers’ – surely the clue is in the word? To spoil something is to ruin it.
So do you Google yourself?
You know, you’re a liar if you say you haven’t. But I really, really try not to do it because it’s bad for you. Human beings, the way we’re wired – or maybe it’s just an Irish thing – but you never believe the good stuff. You just believe the bad stuff. It can be a negative forum, the internet. I try to stay away from it as much as possible.
You may be right. I actually ran into an entire blog someone had set up dedicated to unflattering screen shots of you.
Isn’t that lovely now? What a way to spend your time and express your creativity. That’s the world of the internet.
The IRA makes an appearance in Peaky Blinders – and you’ve dealt with similar themes before in The Wind that Shakes the Barley. It’s still emotive territory – the director of new film A Belfast Story had to apologise after the film’s PR company sent a bala-clava, nails and duct tape to journalists. Is there a responsibility to have a bit of sensitivity?
Of course there is. If you’re dealing with political or social issues, you have to be mindful of the people who have lived through it. The version of the IRA we’re dealing with is almost 100 years old and it’s very different. Similarly in The Wind that Shakes the Barley, so I think it’s fair game. But [The Troubles] are always going to be rich for drama. It’s all about how you tackle it. That’s obviously an example of not a very sensitive way to promote a film, but I thought Hunger was a great example of a film that was sort of about Northern Ireland but it was also an art film.
Last time we spoke, you were telling us about being a vegetarian and a good cook… have you been watching Great British Bake Off?
No. I haven’t got into it. I’m a MasterChef fella. And I’m actually a lapsed vegetarian.
When did this happen?
About a year ago. I felt I needed some meat. I had some venison. It was amazing. My body was like, yes! My wife’s still veggie but the boys eat meat. We’re a very tolerant household. I do sometimes have to cook two dinners, though.
Did you hear that Christian Bale was apparently offered $50m to reprise the role of Batman in Man of Steel 2? [Before the role went to Ben Affleck].
I wouldn’t believe what you read about that stuff.
It’s a testament to how much of a cultural touchstone that series is that people would believe it. Are you glad to have been part of it?
Ah, yeah, I was very lucky to have been involved in it. I didn’t expect to pop up in the second two either, so that was a nice little treat.
Is there a superhero you’d like to play?
Surely they’ve nearly exhausted them...
They didn’t ask you to be Doctor Who?
No. Did that change hands?
Peter Capaldi’s taking over.
Oh, brilliant. I love him. That’ll be amazing. We don’t watch it – Doctor Who has kind of passed us by in this house. But maybe we will when Peter Capaldi’s in it.
What is next for you?
I’m going to shoot this Ron Howard film in September, In the Heart of the Sea. It’s the true story of the sinking of the Essex by a whale. It’s the story that Melville based Moby Dick on. I read the book in my twenties. I loved it. I mean you have to work at it, there’s a lot of going back to the appendix, but it’s a cracking, cracking book. I read it on holiday before we had kids, so I had a lot of time to lie down. I don’t have that any more.
睡完照心窝捅一刀完事儿说这都是公事但我真的爱你啊!女卧底滚犊子吧!BGM爆赞!
业界良心
我这种土鳖还是觉得这部比大西洋帝国更容易follow啊TVT
画面,配乐很赞,好像一幕大戏要开演了。
当年Bowie给Cillian寄了那张戴帽子的照片说这是他cos的peaky blinder,Cillian回信把扮演Tommy的帽子寄给了Bowie🎩
Cillian Murphy三百六十度光影大片
一開頭就是粵語 必須講句 是我看這麼多英美劇里最標準的發音了
这么多年第一次get到基里安到底帅在哪里+1 (看完第五集心满意足,手动再见)
斯里安帅成这样没救了...
善于计谋,拿捏住身边所有人,却对一个明显来路不明的女人不问过往,不加防备,我不理解。对不起,我更想看拔吊无情。
明明各方面都如此过硬的一部剧 为什么感情线如此的lame呢。。 偶像剧的threesome啊。。。//摄影师一定暗恋男主很久了吧!
Cillian Murphy真的好帅啊!\(^o^)/~帽子,帽子,帽子真心给片儿加分啊!
探长突然掏出戒指那下,Ada突然推出婴儿车那下,很狗血很狗血
BBC,还有啥可说的,镜头、时代感、灯光、服装、道具。
开头那标准粤语还以为下错片,有冇人奶。今年新剧里最好看!冷拽酷再加Nick爷的配乐逼格赞飞天了!墨菲戴帽子气场超足,摄影妥妥脑残粉,每个镜头美得内伤。伯明翰腐烂败落脏乱差气氛营造得太强,黑帮家族,布尔什维克,军方冲突有看头。美女卧底设定略弱智,跟阿sir会面智商特做鸡。蛋疼结局又要等一年
这部剧给我最深的印象就是:以型男走台的姿势演绎黑帮火并。
配乐张力十足!一个有好BGM的剧通常不会太差
恭喜基莲遇到了这么棒的角色,睿智、果敢、狠辣有时甚至专断但绝对重情义,抹不去的心理创伤,以及摄影师的杰克苏属性,用光、角度各种讲究,对着基莲各种特写特写特写,绝赞的BGM,这一切的一切赋予了Tommy Shelby这个角色致命的魅力。还是要吼一吼基莲好美好帅,衣服好好看,被苏成渣!第二季酷爱来
高水准!除了丘吉尔选的太XX外,其他还真找不出什么吐槽点~必追英剧之一~
只要你看下去就会发现此剧除了BGM烘托的气氛简直一无所有,我撑完第一季就永久弃了。剧情能不能再sb一点,黑帮火拼程度还不及铜锣湾古惑仔,各路人马的智商都被黑道家族爆出翔,更不要提火线了。男主一副运筹帷幄的样子结果被来历不明演技不佳的女卧底唬得团团转,我怀疑在大西洋帝国活不过两集。